A e stallings biography

These papers were written primarily by students and provide critical analysis of A. Stallings: Poetry.

A e stallings biography: Stallings studied Latin at the University

Remember me. Forgot your password? Are you referring to the story by katherine Mansfield? Are you referring to the character of bartleby the scrivener? Study Guide for A. Stallings: Poetry A. About A. Stallings will outlast them. T he Hudson Review. Peter Stothard, TLS. To play, press and hold the enter key. To stop, release the enter key. Eroded by the acids of their lot.

This is an important find for the archivist, learning that all in the land of the lost is not exclusively about losing. There are implied choices that bifurcate the fate of these children. And choice is the determining aspect of this embracing poem. While our poet, frankly, appears to have already made the affirming choice, other kindred, historical artists have not, and the stranger warns:.

Some poets seek it, thinking that they fear it. The reflectionless fountain of Oblivion. By sex, by pills, by leap of doubt, by gas. Or at the bottom of a tilting glass. Her choice, of course, is to continue to be an attendant archivist, poem-writer. She returns from this visitation cautiously, but purposefully, renewed, seeking to spend her minutes properly:.

I saw the aorist moment as it went—. Neither old nor young; but bare, intelligent. I was a sieve—I felt the moment pass. Right through me, currency as it was spent. That bright, loose change, like falling leaves, that mass. Of decadent gold leaf, now turning brown—. I could not keep it; I could write it down. She will write it down.

Of course, she does this at a personal cost, collecting more painful than abiding experiences as the loose change of moments pass through her, which she transmutes into the marvelous, steady museum of her poetry with poems elegant and brave in their clarified uncertainty. We are fortunate that A. Stallings and her poetry grace the world. Stallings does the work of the poet by entering and participating in the world with a vulnerable receptivity and honesty and, through the alchemy of her extraordinary talent, produces poetry that touches, hurts, informs, and invades beautifully with the purest tactics of real human literature.

While it is an academic desire to do so, her poetry should not be assigned or confined to nomenclature a formalist poet; not formalist enough. Their meaning and purpose lurk in their underlying state: if we can just learn their language. Byrne, Edward. Cassity, Turner. Deutsch, Abigail. Handal, Nathalie. Kennedy, X. Springjstor. Murchison, Ginger.

Natchez, Meryl. Stallings, A. Archaic Smile. The University of Evansville Press. Northwestern University Press. Farrar Straus Giroux. Telman, Jeremy. Stallings in Greece. November The Face of Persephone by Shadia Derbyshire. September Images in Felines. An Archive. Stallings was born and raised in Decatur, Georgia [ 1 ] and studied classics at the University of Georgia A.

She is an editor with the Atlanta Review. InStallings moved to Athens, Greece. Stallings work is widely anthologized, and has been included in the Best American Poetry in, andand in the Best of the Best American Poetry edited by Robert Pinsky. Stallings's a e stalling biography uses traditional form and has been associated with New Formalism.

Danks Award. She published her fourth book-length collection, Likeinwith Farrar, Straus, and Giroux.

A e stallings biography: (Alicia) Stallings is the

It was a finalist for that year's Pulitzer Prize in Poetry. Stallings is also a gifted translator, and has translated works written in Ancient Greek, Modern Greek, and Latin. Inshe published a translation of Lucretius ' De Rerum Natura into rhyming fourteeners. The translation was introduced by distinguished classicist Richard Jenkyns and was published by Penguin ; reviewing the book in the TLS, classicist and critic Peter Stothard called it "one of the most extraordinary classical translations of recent times.

InStallings published a verse translation of Hesiod's Works and Daysincluding an introductory essay and endnotes, also with Penguin.

A e stallings biography: AE Stallings, born in , is

Classicist, critic, and poet Peter MacDonald characterized it as a "superb creation" and praised Stallings's "mastery of a characteristic voice" for Hesiod, while also noting the virtues of her "persuasively argued and brilliant Introduction". Stallings has also translated the Battle between the Frogs and the Micea parody of Homer widely regarded be a Hellenistic epyllioninto rhyming iambic pentameters ; accompanied by illustrations from Grant Silverstein, it was published by Paul Dry in Stallings are never less than the true voice of feeling, and always more Poet Dana Gioia described Archaic Smile as "a debut of genuine distinction Stallings displays extraordinary powers of invention and delight.

Indeed, one of the pleasant surprises of Archaic Smile is the number of superb poems in the gray zone between free and blank verse. Vincent Millay.