A m cassandre biography

Painting is a self-sufficient proposition. Not so the poster. A means, a shortcut between trade and the prospective buyer.

A m cassandre biography: He was born of French parents

A kind of telegraph. The poster artist is an operator; he does not issue a message, he merely passes it on. Not one asks for his opinion. He is only expected to establish a connectionclear, powerful, accurate. He always insisted that his posters were meant to be seen by people who do not try to see them. These fonts, derived in good measure from his imaginative poster lettering, received a ready sponsorship from the progressive type-founders Deberny and Peignot, names we also recognize from Arts et Mtiers Graphiques.

The first of these faces, Bifur, appeared ina shimmering combination of solid forms and fine parallel lines whose art deco quality fits much of the design spirit of our time. Acier followed inand seven years later his most prestigious typeface, Peignot, appeared, dedicated to Charles Peignot, his friend, colleague and patron.

A m cassandre biography: Cassandre, pseudonym of Adolphe Jean-Marie Mouron

Its jaunty asymmetry and unorthodox ascenders bespoke a pre-war elegance that could only be French. Inafter fifteen continuing years of widespread prestige and success on the European continent, Cassandre was asked to come to the United States to apply his extraordinary gifts to a number of commissions. His parents were French. After a childhood spent shuttling back and forth between Russia and France, he settled in Paris with his family in and completed his schooling there.

A m cassandre biography: He was born in

Soon obliged to earn his own living, Mouron designed several posters, possibly as early as ; they were done in a caricatural style which was probably derived from the German School. Almost all of these early works have been lost. He decided to sign his advertising designs with the pseudonym Cassandre, which was sometimes combined up to with the name Mouron.

InCassandre completed the first work characterized by his synthetic style, " Au Bucheron ". The poster, reproduced in a very large format on numerous locations throughout Paris, created a sensation and brought instant fame to its designer. In Cassandre married his first wife, Madeleine Cauvet, who was the niece of Georges Richard, one of the pioneers of France's automobile industry.

He commissioned Auguste Perret to design a house for him in Versailles and settled there after its completion in That same year, Cassandre signed an exclusive contract with Hachard and Cie, the firm which was to publish his posters up to After meeting Maurice Moyrand inwho was at that time the head agent for the printers L. Cassandre, was born in Kharkov, Ukraine, on January 24, His parents were French.

After a childhood spent shuttling back and forth between Russia and France, he settled in Paris with his family in and completed his schooling there. Soon obliged to earn his own living, Mouron designed several posters, possibly as early as ; they were done in a caricatural style which was probably derived from the German School. Almost all of these early works have been lost.

A m cassandre biography: A.M. Cassandre was born as

He decided to sign his advertising designs with the pseudonym Cassandre, which was sometimes combined up to with the name Mouron. The poster, reproduced in a very large format on numerous locations throughout Paris, created a sensation and brought instant fame to its designer. He commissioned Auguste Perret to design a house for him in Versailles and settled there after its completion in He began this career in with set designs for Louis Jouvet's production of Amphitryon 38 by Jean Giraudoux.

The following year, he created the set for Aubadea ballet by Serge Lifar with music by Francis Poulenc. Between andhe designed the sets and costumes for 14 productions. A devoted admirer of Mozart, Cassandre was chosen in to design the open-air theater for the Aix-en-Provence Festival. That same year, he designed the sets and costumes for Mozart's Don Giovanniwhich were used for 25 years.

Cassandre's work remains a testament to the fusion of art and innovation, making him a pioneer and enduring icon of modern graphic design and visual storytelling. Savignac once said, describing A.