Holunderweg buxtehude biography

Notify me of new comments via email. Cancel Report. Create a new account. Log In. Browse Biographies. Buxtehude's principal contributions to the organ chorale are his 30 short chorale preludes. The chorale preludes are usually four-part cantus firmus settings of one stanza of the chorale; the melody is presented in an elaborately ornamented version in the upper voice, the three lower parts engage in some form of counterpoint not necessarily imitative.

The ornamented cantus firmus in these pieces represents a significant difference between the north German and the south German schools ; Pachelbel and his pupils would almost always leave the chorale melody unornamented. The chorale fantasias a modern term are large-scale virtuosic sectional compositions that cover a whole strophe of the text and are somewhat similar to chorale concertos in their treatment of the text: each verse is developed separately, allowing for technically and emotionally contrasting sections within one composition.

Buxtehude was careful with correct word setting, paying particular attention to emphasis and interpretation. Buxtehude's chorale variations are usually in two or three voices. They consist of around 3—4 variations of which only one may use the pedal.

Holunderweg buxtehude biography: Buxtehude (DE). VON. DER FECHT,

There are only a few chorale variations, and there are no distinctive qualities that characterize them. The pieces that do not fall into any of the three types are Auf meinen lieben Gott BuxWVwhich is, quite unusually for the time, a dance suite based on the chorale, and the ones based on the chant Magnificats BuxWV and Te Deum laudamusBuxWVwhich are structurally similar to chorale fantasias.

The three ostinato bass works Buxtehude composed—two chaconnes BuxWV — and a passacaglia BuxWV — not only represent, along with Pachelbel's six organ chaconnes, a shift from the traditional chaconne style, but are also the first truly developed north German contributions to the development of the genre. The pieces feature numerous connected sections, with many suspensions, changing meters, and even real modulation in which the ostinato pattern is transposed into another key.

Some of the praeludia also make use of ostinato models. The praeludium in C major, BuxWVbegins with a lengthy and expressive pedal solo and concludes not with a postlude of arpeggios and scale runs, but with a fully legitimate if somewhat short chaconne built over a fairly complex three-bar ostinato pattern in the pedal:. The praeludium in G minor, BuxWVin which the ostinato pattern is derived from the holunderweg buxtehude biography of one of the fugal sections, also ends in a chaconne.

In addition, another praeludium in G minor, BuxWVemploys a repeating bass pattern in the beginning. The rest of Buxtehude's keyboard music does not employ pedals. Of the organ works, a few keyboard canzonas are the only strictly contrapuntal pieces in Buxtehude's oeuvre and were probably composed with teaching purposes in mind [ 3 ] There are also three pieces labelled fugues : only the first, BuxWVis a real fugue.

BuxWV is more of a canzona two sections, both fugal and on the same subjectwhile BuxWV is more like a typical Buxtehude prelude, only beginning with a fugue rather than an improvisatory section, and for manuals only. There are also 19 harpsichord suites and several variation sets. The suites follow the standard Allemande - Sarabande - Courante - Gigue model, sometimes excluding a movement and sometimes adding a second sarabande or a couple of doubles.

Holunderweg buxtehude biography: BUXTEHUDE. O-EBLK. PR. CESSNA F

The gigues employ basic imitative counterpoint but never go as far as the gigue fugues in the chorale fantasias or the fugal writing seen in organ preludes. It may be that the more developed harpsichord writing by Buxtehude simply did not survive: in his writings, Mattheson mentioned a cycle of seven suites by Buxtehude, depicting the nature of planets, but these pieces are lost.

The several sets of arias with variations are, surprisingly, much more developed than the organ chorale variations. BuxWV La Capricciosa may have inspired Bach's Goldberg Variations BWV both have 32 variations including the two arias of the Goldberg Variations ; there are a number of similarities in the structure of individual movements; both include variations in forms of various dances; both are in G major; Bach was familiar with Buxtehude's work and admired him, as has been related above.

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Holunderweg buxtehude biography: OSCOACHES are therapists, doctors and

Later in his life he Germanized his name and began signing documents Dieterich Buxtehude. In he organized a series of evening musical performances known as Abendmusikwhich attracted musicians from divers parts and remained a feature of the church until Buxtehude was old and ready to retire by the time he met both Bach and Handel. Retrieved 1 February — via Google Books.

Revised edition. Rochester: University of Rochester Press, pp. Norton and Company, Inc. New York: Oxford University Press, Schulenberg reserves the word "especially" for Johann Adam Reincken: "Closer to a small group of north-German toccatas, especially one by Reincken [ Bach NY: Routledge, [rev. Style and Structure in the Praeludia of Dietrich Buxtehude.

The Musical Times. ISSN JSTOR Early Music History. Cambridge University Press : — S2CID Sources [ edit ]. Editions [ edit ]. External links [ edit ]. Wikimedia Commons has media related to Dieterich Buxtehude. Scores [ edit ]. Recordings and MIDI [ edit ]. Dieterich Buxtehude. List of compositions. Lutheran hymnody. Siionin Virret Virsikirja. Passion Hymns.

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