Kapinga tshala muana biography

After the May ouster of Mobutu Sese Seko, the Junta, Laurent Kabila appointed her into the transitional government, and more recently, two years ago, her song 'Ingratitude' was construed by the authorities a jibe at the government and this landed her in trouble. She was arrested but later released.

Kapinga tshala muana biography: Tshala Muana was an African

Having been a close political ally to the Kabila's the song was deemed an innuendo communication to the new president, Felix Tshisekedi, for reneging in his post-election agreement with Joseph Kabila, the country's former president. Track History. Member area My account Log out Log in Forgot your password? Jabulani Radio. Back to the radio. Tweet this track.

Kapinga tshala muana biography: Tshala Muana ·

Musa Juma Hera Mudho Lovely. Home Live. Log in. Tshala wrote most of her songs herself and unlike many other Congolese artists, she did not limit herself to the Congolese rumba sung in Lingala and its up-tempo offshoot soukous. On her albums and in her shows, she gave a prominent place to songs in the mutuashi rhythm, sung in her mother tongue Tshiluba.

It is not too much to say that the modernisation of this rhythm and the subsequent popularity of the mutuashi is largely due to Tshala Muana. After Abidjan and Paris, she now wanted to conquer her homeland with her music. Inshe returned to Kinshasa for a number of concerts to reintroduce herself "at home". Although her concerts were received with enthusiasm, it soon became clear that the weak economy made it impossible for an artist to make a living in Congo.

Kapinga tshala muana biography: Tshala Muana Muidikay, also

She returned to Paris to continue her career from there. She did this by releasing new albums with annual regularity and then touring in Europe and Africa. Alongside Mbilia Bel, she developed into one of the 'Leading Ladies' of Congolese music in the late s. The American record label Shanachie also saw her qualities and released a compilation of her songs on CD in under the somewhat misplaced title "Soukous Siren".

Most of the songs on the album were based on the mutuashi rhythm and had little to do with soukous. Singles and EPs [ edit ]. References [ edit ]. Retrieved BBC News.

Kapinga tshala muana biography: Tshala Muana is no

The East African. Retrieved December 10, External links [ edit ]. Authority control databases. She delivered her songs with a warm contralto, and in concert she added a nimble display of footwork. Having established herself in Abidjan and Paris, Tshala returned to Kinshasa in to re-introduce herself with a series of concerts. Despite an enthusiastic welcome, Congo's declining economy made it nearly impossible to maintain a career there.

Tshala kept her base in Paris, releasing albums at the rate of nearly one per year and touring periodically in Europe and Africa. Tshala also continued to record new material but at a slower pace than in the eighties. Mutuashi andPika Pende were both well received. She worked to develop her voice to match her natural gifts for dance and song writing.

That she championed the mutuashi rhythm and Tshiluba language limited her popularity at home where the rumba and Lingala ruled. But her choice mattered little to International audiences, unschooled in Congo's ethnic politics, who embraced her music and sustained her popularity. Home About Contact.