Sananda francesco maitreya biography channel

The planets still keep up their daily planetary chatter. The moon still clears her throat, and even a good long winded fart has potential for music in it. This is what I do. This is what I were designed by spirit and nature to do, therefore without fanfare or too many trumpets, I do it. And I have never loved doing it more. It follows a fairly regular pattern we know each other well unless in those moments where I feel I need to be shaken up, upon which time I will choose a different process to keep me and the work fresh.

At some point our aim is to take some poems or text from scratch and begin from that perspective, much as masters Schubert and Schumann did.

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In the meantime, my mule takes my tools up the mountain, so while that mule is able and willing, we stick with that mule most of the time. SRM: Do you remember the precise moment in which you realised that you could connect with others through your own musical creations? The age was two. I heard the Beatles, after which time I realized that were my destiny as well.

Yes, I have always had a sense, a knowing, that we were meant for this life. And that we were meant to lead. Otherwise, where would all of these ass-whippings be coming from and why? SRM: Which of my favourite songs of yours, listed in the introduction, can you say that have most resonated within your heart, throughout the years? Frankly, I never revisit old work, it is anathema to my essential nature.

I will not and cannot be judged by the length of just one or two jigsaw pieces, when the whole tapestry is still being worked on. Life is too short to gaze at your reflection in the mirror while they are shooting at it.

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SRM: You moved to Europe from the US infirst to Germany, where you started your own independent record label, and soon moved to Italy, where you have your permanent residence. You have mentioned in other interviews please correct me otherwise that you feel America as your mother and Europe as your wife. And are there remarkable differences between their audiences?

For a start European audiences tend to be less politicized as well as more knowledgeable and accepting of different forms and levels of expression. But ultimately my art is where my heart is. My heart is here because the living here is closer to my concept of good living. The freedoms promised to me elsewhere, but stingily doled out and parted with only after punishment, come more easily to me, at this stage of my living, here in Europe.

Music and politics are yet far too segregated and mean-spirited for me to ever feel my place within it.

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Nor did anyone go out of their way there to make me feel a part of it. History would have swaggered a bit more and not stumbled and bled to death had my vision among others, been more included and those I encountered as my daily bread, not so painfully deluded. To never catch a green light can be frustrating, unless by grace you have something important enough to keep your attention away from trivial things while stopped at the red light.

Good news is, I am not on the main road anymore, and where I am, there are as of yet no traffic lights. No one can be a tougher critic of my work than myself. I am a major fan and absorber of music for 48 years of life and feel at this point fairly confident in my own taste. The artist declared that this album has become so important and impressive because through music he has elaborated the mourning for the loss of his great friends and idols, David BowiePrinceGeorge Michaeland Tom Petty.

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In Decembera new live album, Some Sake in Osaka, was released, [27] it showcases a Japan tour with his historic American band. The project has an instrumental song called "Prince", [29] which honors the memory and the friendship of Maitreya and Prince. In July Sony UK released the spatial audio and remastered version of his first album, changing the title to Introducing the Hardline According to Any instrument can inspire collaboration when the music is a part of your soul.

The fact that I can work with many instruments is an immense comfort to my life. There is no greater therapy for my soul. I write mainly alone because I can and because it is more expedient, usually, and less time consuming. I always imagine another songwriter even when writing alone, to take advantage of the bipolar nature of being an artist!

This is listening more than dictating, or writing. The other main way is to simply go to an instrument and begin dictating your will upon what you wish to achieve. With enough time and experience, this becomes what happens. Unless I have to knock off a song real quick, which is sometimes very refreshing. Otherwise, I work with a song by playing it as often as I can, while it evolves, so that the structure becomes familiar.

Which means that the song idea that excites you most that day is the one that happens when you are peeing, and your taxi is outside, waiting!