Yam kim fai biography of alberta

For those who want to admire the touching plots from Tong, or recollect the vivid role portrayals by Yam who is known as "Opera Fans' Lover", or even to sing with Yam and other Cantonese opera artists the famous songs written by Tong, "Splendour of Cantonese Opera: Masters Tong Tik Sang and Yam Kim Fai" exhibition is the answer. This year marks the 50th anniversary of Tong Tik-sang's death and the 20th anniversary of Yam Kim Fai.

Hong Kong Heritage Museum presents this exhibition which features more than valuable artifacts including Cantonese opera librettos, postbills, special issues, photos, calligraphies, drawings and costumes, to pay tribute to and to demonstrate the lives and creativity of these two masters of Hong Kong Cantonese opera genre in the 20th century. The exhibition will run from tomorrow December 20 to September 27, Tong Tik-sang is widely regarded as the greatest playwright to have graced the world of Cantonese opera in the 20th century Hong Kong.

In a career that was cut tragically short, he wrote more than scripts, many of which are noted for their rhetoric and in-depth depictions of the emotional lives of the characters. Tong had a talent for composing tailor-made scripts to cater for the unique styles of individual opera stars. For example, he wrote "A Forsaken Woman", "The Story of Tung Siu Yuen" and "Snow in June" for famous artist Fong Yim Fun to play characters suffering great misery and sorrow because her vocal style characterised as heavy nasal tones and a sweet but sad voice.

At the same time, Loong stopped hiring performer who refused to play the designated roles. Her hands were tied by coat tails back in s. A performer got away with big fat paychecks without, playing all roles designated, filling the shoes left behind by the one before him. Yam went one step further by telling her supporters to see herself in Loong when time spent with Loong came to fruition.

Loong has been widely known as a quick learner. Lam gave the lad of his choice a brand troupe name just like Yam gave Loong the Chor Fung Ming brand name in Fung phoenixsince the Golden Fung Pinghas been a popular reference for more than seven decades and used by many actresses as newcomers. It is golden. Early s, with her successor well established as a professional career Cantonese opera performer, Yam moved to Canada.

She was a well-known enthusiast just like her husband and a renowned vocalist. Her opera voice was male. She held Loong nose-to-nose for long minutes after the performance, Loong's return to stage after the year sabbatical. Ho continued to be in the audience as well as backstage for the next few years of Loong's performances, the homecoming as successor of Yam in particular.

InLoong mentioned an "Auntie" group who reprimanded her "must return to stage to guard Yam's reputation ". After more than 70 years, she knew that tag-along playbook like the back of her hand. Ho Yin was said to have taken Loong under his wings like his own brother as well.

Yam kim fai biography of alberta: Kim-Fai Yam. Actress; Music Department.

However, he didn't call himself a parent. Neither Yam nor Luo Pinchao did. That speaks to the respect all of them had for Loong's own birth parents. Yam let Loong run free generally since day one but didn't refrain from making sure Loong learn only what's good. Neither has it been appropriate to speak ill of the dead in the Cantonese opera community.

Records as hard evidence can include By the same token, it was pointless for Yam to clarify in s that myth from s disgraceful episode. The truth spoke for itself on stage in recent years. Neither did Loong need to in as insiders already called out what's obvious to their eyes and ears. Yam allegedly declined to sing in front of members of her last birthday trip.

She asked for nothing else, tangible or intangible, implicit or explicit, from them, except studying hard. Yam was never heard talking about her sacrifices For example, September told how not put on new clothes for months. This preserved the demand hunger from her admirers for her 'next' generation to supply feed in due course. This method of naming a next generation is similar to training schools in the north for other Chinese operas such as Peking opera in the past.

The list of bona fide Cantonese opera actresses in male lead roles sinceexcluding those up-and-coming still being tutored. One of them was known as the Singapore version of Yam since s and greeted Loong's crew there in Chinese New Year was main business in city center for performers.

Yam kim fai biography of alberta: Performers used to sing with C#

The unemployed 'why not me instead' clad in checkered jacket, with bright red socks and sweater, sat idle on a broken armchair green with envy. James Wong, in his piece, also referenced Loong about Yam's style. This requirement from mentor Yam explains the challenge for Loong to be on stage within a six-month period and provide 40 different in some way in one or two acts out of total 6 to 8 but still GOOD interpretations without changing the show as a whole.

That makes it worthwhile for those who pay for their tickets to be back every day for every show. She was backstage, as well as in the audience, on 20 February when Loong's troupe, Chor Fung Ming Young Phoenix Cantonese Opera Troupe, performed The Purple Hairpin for Tong Wah a charity eventaccording to one veteran audience who kept that ticket as souvenir.

Loong calls herself "old school" continuing to follow Yam's teaching to a T even though, as described by the Press, already "in a league of her own". The remaining other two of the six backup singers, since retiring as cast member six pillar of Chor Fung Ming, have been tutoring students of all backgrounds, including some with down syndrome for years in Hong Kong.

They are wise not to brand themselves as representatives of Yam style or even compare themselves with Yam while sharing what they have learnt in the decades of Yam's guidance. Yam's style or school of AAA on stage has only been observed and commented on by third parties. There has been no authentic account yet since neither Yam nor Loong had published on the topic.

Once upon a time, performers were illiterate and had no access to novels or other publications so readily available today. Why would contemporary performers bother? Story time is just another coat of garlic paint on top of layers of such garlic body-paint for a decade or so already. Were there any hostage situation, such individual is also another dark soul in Cantonese opera community with nothing but a gravy train in mind.

It is also obvious not the way to heed the advice properly. Contemporary performers took in pupils within years as six-pillar member of troupes to elevate themselves to the status of guru. Yam and Loong were never hubris and claimed teacher status at any point. Spin-offs or rip-offs, a dime a dozen, playing fast and loose with the Yam-Loong brand to steal their thunder do not come and go.

The aroma came from a brew started a year before Loong was born and decades longer than the summation of all garlic coatings of these performers. Miserable Daughter-in-Law On the Road to Success Part 1 On the Road to Success Part 2 Fete of the White Hare The Moonlight and Pi-pa of the Borderland Five Children at One Birth Wife-Teasing at the Honeymoon Xi Shi, the Eternal Beauty The Stubborn Generations Ko Kim-Kwong.

Escape from Banishment Last Minute Pak Ching-Wah. Madam Yun Shum Sam-Pak. Rescue at the West River The Unknown Benefactress Good Humanity Romantic Music Part 1 Tong Yu-Lam. A Chaste Widow's Grievance A Wonderful Petition Part 1 Romantic Music Part 2 Monarchical Restoration The Widow yam kim fai biography of alberta Grievance Wong Mong-Ha. The Eagle Knight and the Crimson Girl Eagle Knight Ka Fook.

Avenged Chui Chow-Ngan. A Song to Remember Part 1 A Song to Remember Part 2 Tong Pak-Yuen. Dai Heung Lei Cheut Sing The Colourful Water-chestnut An Aristocratic Affair Misunderstanding Disturbance Miu Tribe Mang Sung-kim. The Palace of the August Moon Pagoda of Golden Snake The Temple of the Golden Orchid Part 1 The Temple of the Golden Orchid Part 2 Witness for the Prosecution Revenge and Gratitude Pair of Jade Butterfly The General and the Tyrant Story of a Sedan-bearer Dik Ching the Hero Dik Ching.

Beauty Fun on Polygamous Marriage Story time is just another coat of garlic paint on top of layers of such garlic body-paint [ 29 ] for a decade or so already. Were there any hostage situation, such individual is also another dark soul in Cantonese opera community with nothing but a gravy train in mind. It is also obvious not the way to heed the advice properly.

The Yam legacy titles have been instantly gratifying for generations still in infancy as a performer. As a result, they skip the essential foundation courses and perform these legendary titles en masse. Contemporary performers took in pupils within years as six-pillar member of troupes to elevate themselves to the status of guru. Yam and Loong were never hubris and claimed teacher status at any point.

Spin-offs or rip-offs, a dime a dozen, playing fast and loose with the Yam-Loong brand to steal their thunder do not come and go. Recent demise of Yam's legacy titles could be the work of:. The aroma [ 29 ] came from a brew started a year before Loong was born and decades longer than the summation of all garlic coatings of these performers. To fool around again and again with this iconic image of Jia Baoyuinstead of any other version, within a five-year period can be fetish, a stunt, a conor something else.

Get in line. Yam only finished grade school while Loong did not finish high school when they had roles like Jia Baoyu in and respectively. InYam taught Loong, age 20 with one year of formal training, line by line and word by word while there is no information as to how Yam came to be in that role so well received in Macau. Neither of them ever claimed to be child prodigy.

They both wrote for publications and are known most for their roles as romantic scholars, well-educated and fluent in literature. The votes box-office records they received came from the pocketbooks of new as well as veteran audiences coming from the time of Yam as well as of Loong, the two career performers. Yam legacy titles were not as well received in s as a decade since the debut.

Yam kim fai biography of alberta: A Collection of Evidence of Women

That was achieved with exposure across several media. This is also the group that witnessed the dueling between two leading men known as super idols who dominated the only decade or two that there was an increase in audience for Cantonese opera. They can recite line by line and verse by verse of these legacy titles of Yam. These veteran audiences are not craving for run-of-the-mill low-quality performances with famous titles.

They know better than even columnists nationwide or not or academics worldwide or not who are mostly motivated or paid to be biased if not just recycle second hand information or pull it out of thin air. Yam was once upon a time known as the female version of and is still one of the more famous exponent of Kwai Ming Yeung style, both AAA and vocal.

However, the voice still rose to the occasion. They were shocked by the "little old lady" met that day. The leads each in this title also has a solo from this title in CDs. Fong performed her solo for charity in mids on stage, almost 30 years since retirement. Several more CDs with Lee as co-star are very popular including sets [ Note 12 ] just like sets with others.

Paying Nocturnal Sacrifice to Kam-Kiu [ Note 17 ] related to the film released in is an example quoted when Yam's name comes up on this topic. Good portion of the film Prosperity Knocks also has such demonstration of Yam vocal style. Films by Cheung Ying and others are InYam and Loong in matching sweater and scarf, were in studio to record for Loong's first starring role in a film as male lead.

In recognition of the talents of four late artists, Hongkong Post issued the first series of special stamps on movie stars on 15 November Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. In this Chinese namethe family name is Yam.

NanhaiFoshanChina. Happy Valley, Hong Kong. Musical artist. Early life [ edit ]. Rooftops in Guangdong [ edit ].

Yam kim fai biography of alberta: They were students of renowned artists

Theatres in Macau [ edit ]. Theatres in Hong Kong [ edit ]. Career [ edit ]. Films [ edit ]. Linchpin [ edit ]. Farewell [ edit ]. Patriarch Quality [ edit ]. The Choice Made [ edit ]. AAA on stage [ edit ]. Rule of Thumb [ edit ]. Cart Before The Horse [ edit ]. Since [ edit ]. Vocal style [ edit ]. Commemoration [ edit ]. Notes [ edit ].

See also [ edit ]. References [ edit ]. Chinese national cinema. ISBN Retrieved 11 July Loong was indicated by the author as the ONLY spokesperson on behalf of the group and had been the member-in-charge.