Henry kuttner biography

His literary journey began with the publication of his first short story, "Graveyard Rats," in the pulp magazine "Weird Tales" in This and his subsequent early works, such as "Devourers of Souls," exhibited a strong influence from Gothic horror.

Henry kuttner biography: Henry Kuttner (April 7,

InKuttner published his first purely science fiction short story, "Knights of the Galactic Road. Together, they became members of the "Lovecraft circle," a group of writers who corresponded with the legendary horror author H. During the s and s, Kuttner and Moore collaborated extensively, largely due to Kuttner's higher pay rate per page.

Bluebloods Starhuntersbook 3 edited by David Drake. Aliens from Analog Analog edited by Stanley Schmidt. The Gruesome Book edited by Ramsey Campbell. Weird Legacies edited by Mike Ashley. Feast of Fear edited by Vic Ghidalia. Realms of Wizardry edited by Lin Carter. Planets of Wonder edited by Terry Carr. The City A. Creatures from Beyond edited by Terry Carr.

Tomorrow, and Tomorrow, and Tomorrow Perchance to Dream edited by Damon Knight.

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The Devil's Generation edited by Vic Ghidalia. Warlocks and Warriors edited by L Sprague de Camp. Sprague de Campwho knew Kuttner and Moore well, has stated that their collaboration was so seamless that, after a story was completed, it was often impossible for either Kuttner or Moore to recall who had written what. According to de Camp, it was typical for either partner to break off from a story in mid-paragraph or even mid-sentence, with the latest page of the manuscript still in the typewriter.

The other spouse would routinely continue the story where the first had left off. They alternated in this manner as many times as necessary until the story was finished. Among Kuttner's most popular work were the Gallegher stories, published under the Padgett name, about a man who invented high-tech solutions to client problems assisted by his insufferably egomaniacal robot when he was drunk, only to be completely unable to remember exactly what he had built or why after sobering up.

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These stories were later collected in Robots Have No Tails. In her introduction to the Lancer Books edition, Moore stated that Kuttner wrote all the Gallegher stories himself. Marion Zimmer Bradley is among many authors who have cited Kuttner as an influence. Her novel The Bloody Sun is dedicated to him. Kuttner's friend Richard Matheson dedicated his novel I Am Legend to Kuttner, with thanks for his help and encouragement.

Bradbury has referred to Kuttner as a neglected master and a "pomegranate writer: popping with seeds—full of ideas".

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William S. Burroughs 's novel The Ticket That Exploded contains direct quotes from Kuttner regarding the "Happy Cloak" parasitic pleasure monster from the Venusian seas. Mary Elizabeth Counselman believed that Kuttner's habit of writing under widely varied pseudonyms deprived him of the fame that should have been his. Admittedly, the fun is in pretending to be someone else.

But Kuttner cheated himself of much fame that he richly deserved by hiding his light under a bushel of pen names that many fans did not know were his. Seabury Quinn and I both chided him about this. According to J. Vernon SheaAugust Derleth "kept promising to publish Hank's and Catherine's books under the Arkham House imprint, but kept postponing them.

A friend of Lovecraft's as well as of Clark Ashton SmithKuttner contributed several stories to the Cthulhu Mythos genre, based on the writing of the former and added to, among other authors, by the latter. Etchings and Odysseys No 4edited by Eric A. Carlson, John J. Kuttner graduated in and went on to work for his MA, but died of a heart attack before it was completed.

During his career Kuttner rarely received the credit his work merited, being to an extent overshadowed by his own henries kuttner biography his posthumous stature was similarly overshadowed, in this case by an understandable desire to ensure that fair credit was given to C L Moorethe absence of whose name on many shared publications being thought perhaps attributable to her sex: women in the s and s, according to early historical analyses of American Genre SFwere not seen as attractive to sf readers.

Kuttner's reputation as one of the most able and versatile of modern sf writers, and as a competent partner to his wife, seems now to have been satisfactorily been recuperated. Kuttner's influence on the young Ray Bradbury was considerable, and many later writers have acknowledged their debt to him. If in the end Kuttner was a journeyman writer, he was a journeyman of genius.