Yvor winters biography meaning

Thomas Aquinas. Winters became a champion of traditional metrical forms—especially the sonnet and heroic couplet—and of a poetry of methodical meditation that always aimed at a just evaluation of the human condition. Man has reason, but is beset by an external nature potentially hostile to that reason as well as an internal temptation to subordinate reason to emotionality.

In a poem for his student and fellow poet Howard Baker, he writes. Through his criticism, Winters provided the first systematic treatment of poetic form in modern poetry Primitivism and Decadence A hardening of his intellectual arteries set in with The Function of Criticismbut his Forms of Discovery constitutes the encyclopedic survey and evaluation of the short poem in English.

Winters defended the liberal arts against the shoddy emotionalism and politicization of his age, and he provides a model for how to do so in ours. And his teaching and example was formative for a whole school of poets, including three Poet Laureates of the United States. A friend of the agrarians and new critics Allen Tate and John Crowe Ransom, he was unstinting in his criticism of the limitations of their political and literary imaginations.

Interesting piece, James. If this first installment is an indicator, this looks to be a very intriguing and informative series. My Renaissance and Medieval Lit. Reading a few of the excerpts that you kindly referenced with links, Mr. Winters may have been suspicious of emotions — all except for the emotion of pride. That emotion that he appears to have reveled in — and to have exhibited the lack of sense of humor and and blindness that invariably goes with excessive pride.

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Yvor winters biography meaning: Yvor Winters was an American poet,

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Yvor winters biography meaning: He became well known as a

Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Life [ edit ]. As modernist [ edit ].

Yvor winters biography meaning: Arthur Yvor Winters (October 17, –

As critic [ edit ]. Bibliography [ edit ]. See also [ edit ]. He was also a mentor to Donald JusticeJ. Cunningham, and Bunichi Kagawa. Winters's early poetry appeared in small avant-garde magazines alongside work by writers like James Joyce and Gertrude Stein and was written in the modernist idiom; it was heavily influenced both by Native American poetry and by Imagism, being described as 'arriving late at the Imagist feast'.

His essay, "The Testament of a Stone," gives an account of his poetics during this early period. Although beginning his career as an admirer and imitator of the Imagist poets, Winters by the end of the s had formulated a neo-classic poetics. Aroundhe turned away from modernism and developed an Augustan style of writing, notable for its clarity of statement and its formality of rhyme and rhythm, with most of his poetry thereafter being in the accentual-syllabic form.

Winters's critical style was comparable to that of F. Leavisand in the same way he created a school of students of mixed loyalty. In his view, "a poem in the first place should offer us a new perception.